Penulis: Created by User:Hyacinth 20:01, 5 August 2008 in Sibelius with midi pitch bend on 51,85 for 266.8701171875 cents rather than 266.87 and 80,64 for 701.953125 cents rather than 702.
La Monte Young - Magic opening chord: E♭, E, F, A, B♭, C, D, E♭, E, F, G, A, B♭ = 2:3:7:9:21:63:567:189:567. The opening chord (left), E, F, A, B♭, D, E, G, and A, and the magic chord (right), E♭, B♭, C, E♭, F, B♭.
Debussy's Pelléas et Mélisande motif, at Mélisande's entrance and later when Golaud asks if she ever loved Pelléas, features, in addition to the already usual ninth, a thirteenth inverted to a "warm" close-position fourth.
Penulis: Created by Hyacinth (talk) 06:08, 6 July 2009 using Sibelius 5.
Dominant thirteenth chord in Claude Debussy's Prelude to the Afternoon of a Faun (1894). Created by Hyacinth (talk) 02:50, 5 July 2009 using Sibelius 5.
Example of leading-tone triad (viio) and secondary leading-tone triad in Johann Sebastian Bach's Chorale: Gott der Vater wohn' uns bei (BWV 317). Identified by Forte (1979) ISBN 0-03-020756-8 as BWV 748, which is currently attributed to Johann Gottfried Walther.
A12 4 7 10 on C. Traditional notation: C B♭ E. MIDI pitch bend matches intervals. Other non-octave tunings investigated by Bohlen besides the Bohlen-Pierce scale include twelve steps in the tritave, named A12 by Enrique Moreno [1] and based on the 4:7:10 chord.
Penulis: Created by Hyacinth (talk) using Sibelius 5.
Standard open a major 7th chord. The same as a major except the g (3rd) string which has the 1st fret held. Down strum. If any of these samples have any errors or faults, please tell me.
Two octaves of guitar power chords from an orange microcrush miniature guitar amp. Recorded 24-bit with a condenser and ribbon microphone, mixing between the two, slightly panned. There are two takes for each octave's chord.
Electric guitar being routed from the output of a bass amp into a danelectro "honeytone" miniamp with maximum volume and distortion on both. Full sustain, miked 24bit wide-stereo.
Assorted chord oneshots played on a piano that i found at the university of sydney back in 2014. Recorded in 96 khz for the heck of it, using a rode nt6 condenser microphone and a zoom h4n recorder. Sorry but i do not remember the chords and i am not musical enough to figure them out for the file names, but they are most likely all played on the white keys.
Description: with lightful synths make the music bright and angle. Use this free sound to make your songs also lightful. I know you're delighted about this. Genres - synth-pop (most relatable), boogie, dancehall / bashment, disco, euro, hard trance, nu wave, synth wave. Instrument types: synths - synth. Created using:soundtrap. Tempo - 115.
Some piano recordings with door noises in the background. First chord is an f major 7th and then it goes down to a d minor seventh or something. Not sure.
Recorded this with my epiphone sg through the focusrite interface into reaper. I changed the octave which gave it an 'organy' sound. I think bach would have had fun with something like this. :-) comments welcome.
